Psychology + Zen = Philosophy and methods to relieve suffering and reveal happiness.

Psychology:  We project onto others what we reject in ourselves.  Some call it a Shadow.  Healing comes from making the unconscious conscious, taking responsibility for our projections, integrating what is split off as our own thing. 

Zen:  There is no separate self.  When we can be at one with every aspect, then we belong everywhere and we reject no one.  

We heal the world by becoming intimate with our whole selves.   


Entries in Inclusion (15)

Tuesday
Feb242015

Rise up, Old Woman!

Julianne, photo by Nicolas Genin"Well, she is more contemporary," the young lady clarified when I looked mystified. We were at a networking event for filmmakers and actors, and I had boldly raised my objection to the disappearance of older women.  She responded by kindly offering hope that things were changing, and presented Julianne Moore as an example of an aging star.  Thinking hard, she filled out her list of two by including an actress in her 30s.

Her 30s.

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Monday
Dec152014

Black Lives Matter

My heart filled with hope when I witnessed this march, both because of the energetic young black leadership and because of the honesty and participation of white folk.  sorry I didn't realize I could turn my new iphone sideways, but still...

Thursday
Sep112014

For the Love of Clowns

Love and War.  What else is there?  Ok, there are dishes to do, so we can stop and think about love, or war, or the love of war, or the war of love.  Freud famously obsessed about sex and aggression, even when all those other stressed-out Victorians tried not to notice.  Civilization depends on good manners, so you can be sure that the clown, who treads where ordinary humans are too polite to go, will usually be mucking around in love or war, or both together.  In my last post, I extolled the virtues of "Fuck You!" in freeing the clown to play.  But...Love.  Love is what powers the clown.  Love is why the clown meets the audience, well mostly, anyway.

Poofy du VeyIn the marvelous Burden of Poof, the shimmeringly vulnerable Poofy du Vey expresses her struggle with her longing for love.  As she goes into the audience to find helpers, we can see she is both terrified and compelled to connect.  Don't we often make neat little systems to contain screamingly undefinable important matters?  Poofy makes a touching to-do list, containing perfectly normal tasks, and,

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Tuesday
Sep092014

Failure and Freedom

Lisa AltomareFinally, the clown took stock, gathered herself, and delivered the message to the teacher:  fuck you.

I gasped, then exhaled to partake in the laughter.  "More of that," said the teacher, and the clown delivered:  "FUCK YOUUU!!"...middle finger in full salute, body crouched, shaking with rage and pride, she expressed the truth of her experience, and it was absolutely hilarious.

It was the first day of the weekend workshop with Caroline Dream, master clown teacher, and we were playing games.Caroline, with class 

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Monday
Sep012014

PsychoZen of Clown

Nightmare, Brick Theatre, January 2013Why is it that I love clowns so thoroughly and yet so many of my friends tell me they fear and loathe them?   Ok, I understand that they look ridiculous, do silly things, and sometimes embarrass the audience, but scary??  loathsome??? 

Lumping all the clowns together for now (even if they don’t like each other’s company), I include circus clowns, theatrical clowns, tricksters and jokers, court jesters with surprising insights, various imbeciles, happy-birthday-party clowns, bouffons, and provocative wise fools.   All these characters have a way of breaking the rules that we so carefully follow. 

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Tuesday
Jul292014

Seeing Kara Walker's Subtlety

A brilliant and articulate volunteer guides us through interpretations of “A Subtlety, or The Marvelous Sugar Baby" and the public reaction.  I hope you can forgive the limits of the iphone4.  As a friend and collaborator says often, the best camera is the one you have on hand.  I just had to share what I learned from this installation, all melted and destroyed now, at the former Domino Sugar Factory in Brooklyn.  

Thursday
Jun142012

I am I: A Tribute to Margaret Cho


Inspired by Cho's gestures, energy, and mission, a group of dancers celebrate human diversity in all its splendid manifestations.  

Conceived and Choreographed by Irene Ruiz-Riveros
Video Directed and Edited by Elena TaJo
Music by Steve Elson

I am I: A Tribute to Margaret Cho screened in June of 2010 at Anthology Film Archives as part of an excellent series curated by New York Women in Film and Television.  Running time 5:37 minutes
 

Wednesday
Jun062012

How to Change the World, Justina

Updated on Friday, June 8, 2012 at 4:40PM by Registered CommenterElena Taurke

One morning on the way to Ballet class, I hear the news that Black Americans are moving away from northern urban areas toward the South and into the suburbs.  This interests me for what it will mean for diversity, so I remember it.  

As we chitchat before class, Justina, a young Black woman just returned from a family visit to Tennessee, comments:  "The South never changes."   I argue briefly and then ponder her comment for the remainder of class.  (You can blame all my mistakes on that!)   When class is over I ask her what she meant.  A graduate student in Social Psychology, she is frustrated by entrenched patterns:  expectations shape behavior, behavior reinforces expectations, and the cycle perpetuates itself.   Indeed, I agree.   Except here she is, an exception.

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Tuesday
Jun052012

The Straight Line (La Ligne Droite)

Updated on Friday, June 8, 2012 at 4:30PM by Registered CommenterElena Taurke

So named for the challenge of running blind in a straight line, this film (at the Reel Abilities fest) features a young, rich, male runner, recently blinded, who encounters a not rich woman recently out of jail.   They are both hard and angry.  In a totally unbelievable moment, he recognizes her as kin.   He--actually his mother--hires the ex-con to guide him as he learns to run again.  Both are guarded, misunderstood, angry.  They fight, become vulnerable to each other, begin to trust.  The interfering mother interferes.   (Don't forget, when you make a movie about heroes, to include either a dead mother or an interfering mother.)   Love blossoms.  Against all odds, he wins the race.  

I braced against the emotional manipulation, my cynicism reinforced by the titles for the hearing impaired:  [soft inspirational music plays].   But gradually, my resistance weakened. 

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Sunday
Jun032012

What is Dis?

What is Dis?*   Dis-ability.  A lack of adequate power, strength, or physical or mental ability.  Incapacity.   A physical or mental handicap.    So how does a cripple dance?   And do you want to see her try?   Don't stare.   No, wait.   Please do.     

Have you heard?  Disability is the new Black.   Disabled dancing bodies are everywhere, and people are talking about it.   Facebook-acclaimed New Mobility  features "Physically Integrated Dance," and the brand new International Journal of Screendance investigates the "Spectacle of Difference."   Dance Film and Dis Dance are coming of age together.   David Toole of DV8, photographed by Anthony Crickmay and John Cole 

What is Dis?  One of Dante's circles of hell, a walled city surrounded by a field of limbs of non-believers.   Do you dare visit?

Don't dis me.  "DisTHIS!"  proclaims Lawrence Carter Long, as he introduces his so-named film series featuring disability:  "No handkerchief necessary, no heroism required.  This is disability through a whole new lens."     

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